SHURE SLXD14E/98H-G59 Инструментален безжичен микрофон щипка

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SHURE SLXD14E/98H-G59 Инструментален безжичен микрофон щипка

SHURE SLXD14E/98H осигурява прозрачно цифрово аудио и радиочестотна стабилност за лекционни зали и изпълнения на живо чрез миниатюрния инструментален микрофон Beta®98H/C с предавател SLXD1.

Съдържа:

SLXD1 - Бодипак Трансмитер
SXLD4 - Приемник
BETA 98H/C - Инструментален микрофон-щипка

По желание и с екологична цел можете да закупите отделно:

- презареждащата се батерия (SHURE SB903)

- зарядно за батерия (SBC10-903-E) (не са в комплекта SLXD14E/98H, продават се отделно).

BETA 98H/C

The Beta 98H/C miniature cardioid condenser microphone clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument vibrations. A gooseneck angle brace is included to provide better retention of the desired microphone placement.

Featuring a highly consistent cardioid polar pattern, the Beta 98H/C provides high gain before feedback and smooth off-axis rejection. Its ability to handle extremely high sound pressure levels (SPL) makes it ideal for live sound reinforcement on a variety of instruments.

Features

Premier live performance microphone with Shure quality, ruggedness, and reliability
Uniform cardioid pick-up pattern for maximum gain before feedback and excellent rejection of off-axis sound
Tailored frequency response specifically shaped for open, natural sound reproduction
Wide dynamic range for use in high sound pressure level SPL environments
Adjustable gooseneck, angle brace and ratcheting swivel joint allow for optimal microphone positioning
Compact, lightweight construction provides a low degree of visibility
Interchangeable microphone cartridges with different polar patterns are available
Snap-fit foam windscreens stay in place, minimizing wind noise

Applications

General Rules for Use

Do not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.
Aim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.
Place the microphone as close as practical to the desired sound source.
Work close to the microphone for extra bass response.
Use only one microphone to pick up a single sound source.
For better gain before feedback, use fewer microphones.
Keep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).
Place microphones as far as possible from reflective surfaces.
Add a windscreen when using the microphone outdoors.
Avoid excessive handling to minimize pickup of mechanical noise and vibration.

Applications And Placement

The following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position.

Application	Suggested Microphone Placement	Tone Quality
Reed Instruments	Place the microphone a few inches from it and aim at the bell.	Bright, minimizes feedback and leakage.
Brass & Woodwinds	Brass: 30 to 90 cm (1 to 3 ft.) away, on-axis with bell of instrument.	Bright, clear sound.
	Woodwinds: 2.5 to 15 cm (1 to 6 in.) away, on-axis with bell of instrument.	Bright, clear sound.
	Bell of instrument 90° off-axis from front of mic.	Softer, mellow sound.

Avoiding Pickup of Unwanted Sound Sources

Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.

Proximity Effect

Unidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1/4 in.) from the sound source. This phenomenon, known as the proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low-frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of the proximity effect.

Power Requirements

This microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.

Most modern mixers provide phantom power. You must use a balanced microphone cable: XLR-to-XLR or XLR-to-TRS.

Specifications

Type: Electret Condenser

Frequency Response: 20 to 20,000 Hz

Polar Pattern: Cardioid

Output Impedance: 150 Ω

Sensitivity at 1 kHz, open circuit voltage: -56 dBV/Pa (1.6 mV) [1]

Maximum SPL (1 kHz at 1% THD): 1000 Ω load, 155 dB SPL typical

Equivalent Output Noise A-weighted: 31 dB SPL (typical)

Signal-To-Noise Ratio (Ref. 94 dB SPL at 1 kHz): 63 dB[2]

Dynamic Range (at 1 kHz, 1000 Ω load): 124 dB, 132 dB

Clipping Level at 1% THD: 3 dBV (1.4 V)

Polarity: Positive pressure on the diaphragm produces positive voltage on pin 2 with respect to pin 3

Power Requirements: 11 to 52 V DCphantom power

[1] 1 Pa=94 dB SPL

[2] S/N ratio is the difference between 94 dB SPL and the equivalent SPL of self-noise, A-weighted

SLXD1

SLX-D Digital Wireless delivers transparent, 24-bit digital audio and rock-solid RF performance with easy setup and rechargeability options in a suite of versatile wireless system configurations. Featuring industry-leading digital wireless technology and design, the SLXD1 easily syncs with a wireless receiver. TQG connectivity to a variety of microphone options guarantees the right solution for a wide range of applications, from day-long conferences to nighttime performances.

Features

Transparent 24-bit digital audio
Extended 20 Hz to 20 kHz frequency range (microphone dependent)
118 dB dynamic range
Digital predictive switching diversity
44 MHz tuning bandwidth (region dependent)
32 available channels per frequency band (region dependent)
Up to 10 compatible systems per 6MHz TV band; 12 systems per 8 MHz band
Easy pairing of transmitters and receivers over scan and IR sync
Up to 8 hours from 2 AA batteries or optional Shure SB903 rechargeable battery
TQG connectivity offers a variety of microphone options
Ergonomic, durable plastic construction

Specifications:

Battery Type: Rechargeable Li-Ion or 1.5 V AA batteries
Dimensions (H × W × D): 98 × 68 × 25.5 mm
Weight: 89 g
Housing: PC/ABS

Audio Input

Connector: 4-Pin male mini connector (TA4M)
Configuration: Unbalanced
Impedance: 1 MΩ
Maximum Input Level: 8.2 dBV (2.57 Vrms, 7.27 Vpp)
Preamplifier Equivalent Input Noise (EIN): –118 dBV

RF Output

Antenna Type: 1/4 Wave
Occupied Bandwidth: <200 kHz
Modulation: Type Shure Proprietary Digital
Power: 1 mW/10 mW (Varies by region)

SLXD4

SLX-D Digital Wireless delivers transparent, 24-bit digital audio and rock-solid RF performance with easy setup and rechargeability options in a suite of versatile wireless system configurations. Featuring industry-leading digital wireless technology and design, the SLXD4 easily syncs wireless transmitters. A variety of interchangeable vocal microphone choices guarantees the right solution for a wide range of applications, from day-long conferences to nighttime performances.

Features

Transparent 24-bit digital audio
Extended 20 Hz to 20 kHz frequency range (microphone dependent)
118 dB dynamic range
Digital predictive switching diversity
44 MHz tuning bandwidth (region dependent)
32 available channels per frequency band (region dependent)
Up to 10 compatible systems per 6MHz TV band; 12 systems per 8 MHz band
Easy pairing of transmitters and receivers over scan and IR sync
Compatible with Shure Wireless Workbench® control software
Remote monitoring and control via ShurePlus™ Channels app
Rugged metal construction

Specifications

Dimensions (H × W × D): 42 × 197 × 152 mm
Weight: 816 g (without antennas)
Housing: Galvanized Steel
Power Requirements: 15 VDC @ 600 mA (Supplied by an external power supply, tip positive)

RF Input

Spurious Rejection: >75 dB Typical
Connector Type: BNC
Impedance: 50 Ω

Audio Output

Gain Adjustment Range: –18 to +42 dB in 1 dB steps
Configuration

6.35 mm: Balanced (Tip=audio +, Ring=audio –, Sleeve=ground)
XLR: Balanced (1=ground, 2=audio +, 3=audio –)

Impedance

6.35 mm: 1.3 kΩ (670 Ω Unbalanced)
XLR (line): 400 Ω (200 Ω Unbalanced)
XLR (mic): 150 Ω

Full-Scale Output

6.35 mm: +15 dBV differentially (+9 dBV single)
XLR (LINE setting): +15 dBV
XLR (MIC setting): –15 dBV

Mic/Line Switch: 30 dB pad
Phantom Power Protection

6.35 mm: Yes
XLR: Yes

Networking

Network Interface: Single Port Ethernet 10/100 Mbps
Network Addressing Capability: DHCP or Manual IP address
Maximum Cable Length 100 m (328 ft)

SHURE SLXD14E/98H-G59 Инструментален безжичен микрофон щипка

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888.00€

1,059.00€

Stock: В наличност
Марка: SHURE
Арт. №: SLXD14E98HG59

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